Bach Bibliography
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Hammes, AndreaJohann Christian Bach in Leipzig: die Rezeption seiner Werke von 1750 bis 1800. Magisterarbeit, Leipzig Univ., 2010. 112p. diss. 2010 112p
2. Plutalov, Denis V.Dmitry Shostakovich's twenty-four preludes and fugues, op. 87: An analysis and critical evaluation of the printed edition based on the composer's recorded performance. DMA diss., University of Nebraska, Lincoln. 2010. 121p; University Microfilms International (MI) Ann Arbor, MI. UMI Number: AAT 3398399; ISBN: 978-1-109-71469-2. diss. 2010 121p
3. Alípio, AlissonO processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010. diss. 2010 123p
4. Sullivan, DanielJ.S. Bach and permutational design. DMA diss., Juilliard School, 2010. 126p. diss. 2010 126p
5. Miller, Ann ElizabethPure 3rds or 5ths: Great violinists' solutions to a problematic incongruity. DMA diss., Juilliard School, 2010. 206p. diss. 2010 206p
6. Shkolnik, GuyThe Thematic Potential and Its Realization in Selected Fugues from J.S. Bach's Well-Tempered Clavier. PhD diss., Tel Aviv University. August 2010. 208p. [Hebrew text with English summary] diss. 2010 208p
7. Gordeeva, Elena VladimirovnaMuzykal'naâ leksikografiâ smyslovyh struktur v klavirnyh tekstah I.-S. Baha. [Musical lexicography of semantic structures in the keyboard works of J.S. Bach] - Kand, Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni S.V. Rahmaninova, Rostov, 2010. 263p. diss. 2010 263p
8. Boršulâk, Al'ona MiroslavìvnaStil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p. diss. 2010 267p
9. Sarlo, DarioInvestigating Performer Uniqueness: The Case of Jascha Heifetz. PhD diss., Goldsmiths, University of London, 2010. 430p. diss. 2010 430p
10. Friedrich, SiegfriedAspekte der Tonhöhenausdeutung in Johann Sebastian Bachs Das Wohltemperierte Klavier, Band I und II sowie in Franz Schuberts Die schöne Müllerin: Zum Auffassungsmodell eines 'intentionalen Tones' als Verbindungsglied zwischen Tonhöhenwahrnehmung und kompositorischer Tonhöhenbedeutung. PhD diss., Musicology. Universität für Musik und Darstellende Kunst, Wien, 2010. 610p. diss. 2010 610p
11. Lachat-Sarrete, PriscilleL'entrée du soliste dans les concertos de 1750 à 1810, à travers les œuvres de Johann Christian Bach, Haydn, Mozart, Viotti et Beethoven. PhD diss., Université Paris 4 Sorbonne, 2010. 652p. diss. 2010 652p
12. Engelsdorfer, Amy LynnePedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. PhD diss., Dept. of Music Theory, Indiana University, August 2010. 680p. diss. 2010 680p
13. Waszynski, BarbaraDas Übernahme der Datensätze aus der Bach Bibliography von Yo Tomita in das Bibliothekssystem des Bach-Archivs: Erarbeitung eines Konzeptes für eine gestufte Konvertierung. Diplomarbeit, Hochschule für Technik, Wirkschaft und Kultur Leipzig, Faklutät Medien, Studiengang Bibliotheks- und Informationswissenschaft. Leipzig, 2010. 90p diss. 2010 90p
14. Psujek, Jennifer LaurenThe Intersection of Gender, Religion, and Culture in Nineteenthcentury Germanic Salons. MA diss., Bowling Green State University, 2010. v, 73p diss. 2010 v, 73p
15. Watson, Marva J.The Historical Figures of the Birthday Cantatas of Johann Sebastian Bach. MMus diss., Southern Illinois University Carbondale, May 2010. viii, 107p. http://www.bach-cantatas.com/Articles/Historical-Figures-Watson.pdf diss. May 2010 viii, 107p
16. Exner, EllenThe Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. PhD diss., Harvard University, 2010. xiv, 327p. 654p. diss. 2010 xiv, 327p
17. Callahan, Michael RichardTechniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. PhD diss., Eastman School of Music, University of Rochester, 2010. xvi, 293p. diss. 2010 xvi, 293p
18. Knyt, Erinn ElizabethFerruccio Busoni and the Ontology of the Musical Work: Permutations and Possibilities. PhD diss., Stanford University, 2010. xvii, 624p diss. 2010 xvii, 624p

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